Newsletter for Writers

By Chris Goebel, Humdinger Literary E-zine's Editor-in-Chief and

As Featured On Ezine Articles

I had a dream that I’d send out my newsletter for writers, Jack of Genre: Newsletter for Writers, weekly. But I couldn’t make it weekly because I can’t stop until I’m sure there’s something useful, fun, inspiring—lucrative—for everyone in each issue. The newsletter’s free; I don’t sell anything. I’ve always wanted to earn my keep as a writer; that’s why I went to college. I once visualized myself at bookstores with people asking questions about my education and I just sat there, embarrassed to be a writer without an English degree. Honestly, what I learned after my degree was experience teaches best (and if you don’t have a degree, there's more than one way to learn!). I’ve researched so many aspects of writing—the process, politics, and promotion—that I’m certain I can inspire you, educate you, save you money and--best of all--teach you how to make more money!

Let this be the beginning of a wonderful literary relationship.

Pen to Paper~

 

Chris Goebel

Author, Jack of Genre: Newsletter for Writers

Editor-in-Chief, Humdinger Literary E-zine

 

SUBSCRIBE NOW: IT'S FREE!

 

What does the FREE Jack of Genre: Newsletter for Writers provide? Once a month, you’ll receive a large newsletter including the following:

 

Literary News: Who's doing what to make money? How much are those writers making?

Articles about Writing: You need inspiration to keep going and ideas about how to keep writing.

Articles about Marketing or Promoting Your Book/Future Book: Make more money sooner!

Freebies for Writers: links, pens, books and other free things I can find.

Grammar Points: Avoid painful mistakes.

Creative and Inspiring Ideas: Wake up the sleeping writer in you!

Writing Humor, such as Top 10 lists and “Excuses for Not Writing

 

SUBSCRIBE NOW: IT'S FREE!

 Click here to sign up for Humdinger's monthly Newsletter for Writers, Jack of Genre.

Jack of Genre. For all kinds of writers in all kinds of genres. For you.

Help yourself, literally.

What does Jack of Genre mean? You've heard the term Jack of All Trades, someone who can do almost anything. Well,

a Jack of Genre can write almost anything!

Below, read a recent edition of Jack of Genre.

Newsletters will now be posted here one month behind (at least). If you want fresh issues, then subscribe now by clicking HERE! I recommend subscribing if you'd like to be in on Members' Only secrets and freebies, which aren't posted on this page.

 

 

 

Jack of Genre: Newsletter for Writers

    April 2006

Welcome to Jack of Genre Newsletter,

All kinds of writing for all kinds of writers. Third week of April, 2006

 

You deserve Jack of Genre! Give yourself quality time and read through this newsletter now. Why pass over this e-newsletter about something that means more to you than scores of e-mail—writing! Print Jack of Genre to save for future reference (10 pages). This month’s Members’ Only Secret Gifts and password follow the introduction.

 

WELCOME TO APRIL’S JACK OF GENRE

 

OVERVIEW:

Writers tell me they need help getting started, so my article, The Only Way to Make Sure You Write, undermines dangerous misconceptions that hinder our writing progress. Get inspired in a new way and start writing after you read my article (with the help of Amy Tan, Ernest Hemingway and Jack London). If you’re an established writer, you’ll enjoy this month’s debate over Traditional versus Publish on Demand (online) Publishing, presented by two authors with slightly different views. Literary News is back with sex, coffins, and presidents’ wives and Gifts for Writers follow this introduction. You’ll also be the first to learn about the topics for June’s Writing Contests! Lately, many interesting topics have come up in my blog, and I urge you to keep in touch with me weekly through my weblog (online journal) at: http://user98512.websitewizard.com/Eclectic-Editor-Blog

 

Pen to Paper~

Chris Goebel

Editor, Humdinger Literary E-zine

www.humdingerzine.com

Editor@humdingerzine.com

 

My Blog: http://user98512.websitewizard.com/Eclectic-Editor-Blog Jack of Genre Newsletter provides timely and useful information for writers about writing, simple editing, hot Internet links and outstanding promotional techniques to help you promote yourself and your book.

 

Chris Goebel’s Gifts for Writers (sans cost)

 

For April, get links to sample office supplies, marketing and publishing newsletters, and books on Print-on-Demand publishing, all sans cost! Oh, and a recipe for perfume? Check this stuff out now and enjoy it for weeks to come! Here’s the link to the page, which is password protected:

 

 GIFT TIME LIMIT EXPIRED. SUBSCRIBE TO RECEIVE FRESH FREEBIES AND THE SECRET PASSWORDS. 

 

CONTENTS:

 

LITERARY NEWS: Sex, Coffins and Presidents’ Wives Sell Books!

ARTICLE: THE ONLY WAY TO MAKE SURE YOU WRITE! By Chris Goebel

WRITING CONTESTS AT HUMDINGER LITERARY E-ZINE

FOR FUN: Top 10 List of Writers’ Excuses to Use the Word Good

ARTICLE: With Print-on-Demand, Anyone Can Be Published--And I Mean ANYONE! By Glenn Haertlein

ARTICLE: How Should You Publish Your Best Seller? A Case Study By Glenn Dietzel

Creativity Culture: USE ART TO ENHANCE VISUAL IMAGERY IN YOUR WRITING

Excuses for Not Writing Your Book

In Our Next Issue 

LITERARY NEWS

Promoting a book---from a coffin? Learn a whole new type of self-promotion with the man whose hair preceded him.

http://www.send2press.com/newswire/2005-11-1110-006.shtml

 

Chris at Humdinger recommended Salvador SeBasco to you. Now it’s Laura Bush and Ladybird Johnson? A children’s book success, a marketing coup, something to read and learn!

http://www.send2press.com/newswire/2005-12-1230-002.shtml

 

Sex still sells books. Jessie Jamie Coleman’s play “Sex on the Side” entices Hollywood with that magical word.

http://www.send2press.com/newswire/2006-04-0404-002.shtml

 

Article:

THE ONLY WAY TO MAKE SURE YOU WRITE! By Chris Goebel

 

The only way to make sure you write (as opposed to hoping you write) is to force yourself to do it. Let’s kill some misconceptions to build our confidence. But first, your part of the deal starts this minute. If you care about writing and really mean it, then you must read this article through to the end. Do it for you and for me.

 

Now that you’re committed to this, here’s one misconception to shoo out the door faster than a flesh-eating fly: I can’t write until I’m inspired. The truth? Jack London, author of the classics Call of the Wild, White Fang and one of my favorites, The Seawolf, said: “Don't loaf and invite inspiration: light out after it with a club, and if you don't get it you will nonetheless get something that looks remarkably like it.” He also said, “Set yourself a 'stint,' and see that you do that 'stint' every day.” In other words, don’t wait for inspiration. Set a writing goal and make it happen!

Writing comes from inspiration. Ri-ght… You might recall The Hunt for Red October by bestselling author Tom Clancy. Think this bestseller made it because of glorious inspiration? In a letter, Clancy said, “I have been working my glutei off on the 3rd . . . 4th . . . on the SUBMISSION draft of The Hunt for Red October” http://www.geocities.com/everwild7/clancy2.html . He worked both sides of his behind off writing that novel! Writing’s a business, an awesome, exciting, inspiring business and it’s also a career. The difference between most writing and a regular 9 to 5 would hopefully be that you care about and enjoy writing.

Of course, writers must suffer. Maybe at some point so they can understand humanity, but not as a lifestyle! Ernest Hemingway’s quote makes me envision writing in a new way: “"Once writing has become your major vice and greatest pleasure only death can stop it. Financial security then is a great help as it keeps you from worrying. Worry destroys the ability to write. Ill health is bad in the ratio that it produces worry which attacks your subconscious and destroys your reserves." I love the part about writing being a vice. I guess I’ve reached that point, because I’ve been reprimanded several times for what? For writing. I can’t stop it. But Hemingway also points out something I’ve discussed with other writers recently: finances and your health. Some writers have been notorious spendthrifts and others have abused their bodies as if out to set world records. Get rid of the dangerous—lethal!—mindset that writers need to suffer and be broke. Instead, plan ahead wisely to profit off your writing and set financial goals. Also, take plan times to comfortably write and share with friends and family—even have other hobbies. In fact, other activities writers participate in may lead to a new idea for a book! I skip sleep once in a while (as do many of you because you’ve told me). However, recognize when too much is too much. Rest when you’re sick. Sleep when you’re exhausted. Write when you’re not resting, sleeping, or making money!

Amy Tan said, "As a storyteller, I know that if I don’t like the ending, I can write a better one." Tan’s got a point. I write to wrestle with my frustration about life and to create something beautiful out of meaningless. For me, writing is an art, a science, a passion, a job, a tangible dream that rises when I wake, begging me to chase it to the horizon—to beyond my understanding into exciting, adventurous places of the world, body, and mind.

Instead of focusing on the perfect mood and moment, focus instead on the right reason and routine. You’ll write to produce a book, and hopefully because you love literature. The routine has to fit your schedule but there’s one solid rule. You must write regularly, sitting down somewhere to draft something because you have to do so, not because you’re waiting for the emotions to spill forth like adolescent hormonal surges. Just like when you read an excellent novel, the picture reveals itself after so many pages of page turning. In essence, we make ourselves read because we know the pleasure of “getting into a book.” Now, make yourself write and discover the euphoria! of completing manuscripts. Once hooked, you’ll never stop!

Pen to Paper~

Chris Goebel

Editor, Humdinger Literary E-zine

www.humdingerzine.com

You can subscribe to Chris Goebel’s newsletter, Jack of Genre: Newsletter for Writers, at:

http://user98512.websitewizard.com/Jack-of-Genre.html

 

 

Would you like to use this article in your e-zine or on your website? Just include the author’s blurb (above) with the article.

 

Do you find articles in Jack of Genre useful and inspiring? Forward it to a friend! 

 

HUMDINGER WRITING CONTESTS

This month’s contests:

MUSICAL NOSTALGIA (MAINSTREAM FICTION),

OPEN FICTION CATEGORY: WHAT IN THE?,

POETRY: LOOKING BACK AT YOUTH 

 

Visit this page to learn more:

http://user98512.websitewizard.com/Writing-Contest.html

 

*Check our More Writing Contests page.

http://user98512.websitewizard.com/Writing-Contest.html

OR

http://www.humdingerzine.com

 

 

 

TOP 10 LIST FOR WRITERS

Top 10 List of Writers’ Excuses to Use the Word Good By Chris Goebel

 

10.  I was running out of time and had to reach my word count for the day.

9.  Good rhymes with should, doesn’t it?

8.  There wasn’t a better word for the sentence. Good’s good.

7.  What other word could I use?

6.  Who walks around saying fantastic, awesome, spectacular and incredible? We all say good all day long!

5.  I use good because if someone told me “Incredible morning,” instead of “Good morning,” they may have to endure a good, solid pow! in the kisser.

4. “He was a marvelous boy” doesn’t exactly represent his masculine side.

3. Don’t knock good; it’s in the dictionary.

2. Everyone uses good, so I wouldn’t be plagiarizing, would I?

1.  Hey, good’s still a four-letter word!

 

Pen to Paper~

Chris Goebel

Editor, Humdinger Literary E-zine www.humdingerzine.com

You can subscribe to Chris Goebel’s newsletter, Jack of Genre: Newsletter for Writers, at: http://user98512.websitewizard.com/Jack-of-Genre.html

 

DO YOU HAVE A TOP 10 LIST FOR WRITERS THAT YOU’D LIKE TO SEE PUBLISHED IN JACK OF GENRE? IF SO, SEND AN E-MAIL HEADED WRITING TOP 10 TO: Editor@humdingerzine.com

 

 

Article: With Print-on-Demand, Anyone Can Be Published - And I Mean ANYONE!
By Glenn Haertlein

 

In my previous article, "Writing: It's a Crowded, Lonely Business" we discussed briefly what POD, or print-on-demand is, and what to look for in a POD publisher. In this article we will look at the pros and cons of POD publishing. To state it briefly, print-on-demand's strengths are also print-on-demand's weaknesses. Let me show you what I mean...

·      Anyone can be published -- even idiots and crackpots. In the world of POD publishing, the rule of the day is caveat emptor, or "buyer beware." Because POD allows just about anyone to print just about anything, the books offered by POD publishers are a mixed bag. Some POD sites offer user ratings and reviews with their books, and that's a definite plus, just pay attention to who is doing the rating and reviewing. It might just be the author himself!

·      You can write what you please. Just remember, that doesn't mean people will be pleased with what you write. Traditional publishers will go with what is safe and proven ninety-nine percent of the time. With POD, the sky's the limit. Got an experience you want to write about and share with the masses? Have a particular interest you enjoy writing about? Have an experimental style of writing that you'd like to try out? Did you come up with a killer idea for a cool novel? Great! Go for it! Just remember that there is a reason so many manuscripts receive rejection notices from the big-name publishers: they just won't sell to a wide enough audience. Traditional publishing houses are about taking manuscripts, turning them into books, and making money with them. It's a gamble. Even with the books they do publish, there's no guarantee they'll turn a profit. Given the risks involved, going forward with an unusual, or eccentrically unique book is a rarity amongst traditional publishers.

Self-publishing through a POD let's you write pretty much what you want, with a few limitations, but that does not mean people are going to beat the doors down just to get a copy of your book. Sadly, you may learn the hard way why so many "regular" publishers turned you down. But please don't let that stop you from writing! If one thing doesn't work, try something else. Keep perfecting your craft and let your mistakes teach you, not discourage you.

·      You can write about any topic you please. Their are plenty of folks with specific interests who would love to have just one more book on their topic of interest. You could become their next favorite author. Just remember that niche markets are characterstically small. But a well-written work can garner you a loyal following, and that can spring board you into larger projects.

·      You get to be your own editor. The downside of that is that you get to be your own editor. One reason traditional publishers carry more clout than POD publishers is that the authors and manuscripts of books produced by traditional publishers must endure a long and drawn out process before a book ever sees light of day. Beyond the query letters, proposals, rejections, and final acceptance of a manuscript, there is the editing. Then there is the editing. And finally, there is the editing. Did I mention editing? Everything about the manuscript is examined, picked apart, and re-examined. The author may have to do re-writes. He will definitely have to endure the agony of seeing his work ruthlessly scrutinized and questioned. It's a necessary part of the process. With POD publishing it's all on you, unless you hire someone to do it for you. If you are your own editor, be sure you know what you are doing.

If your excuse is, "Well, I'm just a storyteller. I'm not good at grammar," then you may just be writing your book for yourself. Your command of the written word is a reflection on you as an author whether you care to accept it or not. And that only covers the mechanics. As author you need to be passionate about your writing. As editor you must be brutal. Does everything in your story really belong there? Are all your characters necessary? Does everything they say make sense? Are they and their dialogue believable. Will anybody even care about this particular story? There is more to editing your own work than just spelling and grammar check.

·      Brick and mortar stores may or may not be interested in your book. Because POD books do not need to pass through the same filters as books produced by traditional publishers, most bookstores, particularly big-name bookstores, are reluctant to feature POD books on their shelves. Who can blame them? POD books are varied in quality; some are superbly written, some are just no good. Then there is the problem with returns. Most POD's do not have a return policy except on damaged books. They won't take a book back simply because a customer decided they didn't like it. So if a bookstore agrees to sell your book, what are they supposed to do if a customer wants their money back? This is a problem.

One solution is to offer your books to smaller bookstores on consignment. You provide the books at your own cost, and you split the profits with the bookstore owner, plus you agree to buy back any unbought or returned books. It isn't the best solution, but who said this was going to be easy? Besides, look on the bright side. People may LOVE your books and want more; and if that happens, the bookstore will want more of your books, too. That could lead to big dividends later.

There is nothing more exciting for an author than to see his name in print. It's like seeing your name on the marquee for an actor. Having people read your work and like it is an excitement that extends beyond words even for the best of writers. POD publishing is one way to accomplish that dream.

Glenn Haertlein is a teacher at a Christian school for children special needs. He is also a freelance writer. To see his latest work, visit http://www.imglenn.net

Article Source: http://EzineArticles.com/?expert=Glenn_Haertlein

 

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Article: How Should You Publish Your Best Seller? A Case Study
By Glenn Dietzel

Let’s take a look at how you would get published via Traditional Publishing methods. First of all, you would need to get the attention of a publisher. Therein lays the first of many obstacles. You see, every week, publishers are inundated with thousands upon thousands of manuscripts from talented hopefuls just like you! Imagine entering your office on Monday and being greeted with over one thousand packages, all with your name on them. Obviously, the chances of one manuscript rising to the top of the pile are slim to none.

But say for a moment that somehow the publisher DOES select your manuscript. There are a few caveats that you need to be aware of before you order up the Champaign!

1. Firstly, the publisher controls ALL aspects of the book-to-be. It is, in practicality, HIS book that YOU are writing, so you must defer to him regarding the content, the look etc!

2. You need to be aware of the long window of time between when you hand in the completed manuscript and when the final copy of the book is stocked on the shelves for sale. If the focus of your writing is in any way time-sensitive, your work may well be out of date before it is even published!

3. Don’t plan on making MILLIONS. The standard fare for most authors is a measly 8% commission per copy! When a book sells for $29.99, you get a whopping $2.40-enough to go to Starbucks!

4. Now the good news is that IF a bookstore decides to carry your book, they will pay for all of the books that they stock. However, don’t cash the cheque just yet! The bad news is that whatever they DON’T sell in 90 days, they will return and expect a refund!

SELF-PUBLISHING

Now don’t despair! There is more than one way to get a book out to the hungry masses! Consider the example of Marjan (pronounced Mar-yahn) Glavac. In 1997, Marjan was teaching in a high school in London, Ontario, Canada where he was approached by a publisher to work on a book. For several months, Marjan toiled until finally he had his first three chapters complete. However, when he contacted his publisher again, she told him that she already had two other authors working on exactly the same thing!

Despite the letdown, he decided to press on and finish the project and see where that would take him. Marjan knew that, once complete, the book had to be printed, then distributed, then sold if he were to make any money (assuming, as he did, there was a market for his book).

One Thousand Hours Later…

It took Mr. Glavac about one thousand hours to complete his work. This gave him 200 pages of material that his wife faithfully edited. The next step was to send a perfect sample of each and every page to the press that was waiting to start the print run. This was where they ran into trouble: “For some reason, my printer at home suddenly refused to work properly! I couldn’t believe it! Here we were with a book waiting to be published and the clock was ticking and my printer was smearing every page that I printed. I finally had to run across town in the middle of the night and borrow a laser printer from a friend of mine!”

Head North, Young Man

By himself, Marjan had found a press that agreed to print his book. The deal worked in this way: to cover the printing of a minimum number of books, Marjan would open an ‘account’ with the press by depositing a minimum of two thousand dollars with them. When they had more money, they could deposit it and get more books printed. The more books they wanted, the more money it would be.

Imagine their excitement on the day that their first shipment of books arrived! Three thousand copies shipped and stored in the Glavac garage! Unfortunately Marjan discovered a huge glob of ink in the centre of every single book. The entire shipment was useless and had to be returned!

The Do-It-Yourselfers

To get his books sold, Glavac then contacted local bookstores. “The first question that they ask you is ‘Do you have a distributor?’ Bookstores make no bones about the fact that they really do not want to deal with self-publishers. It was very frustrating! I thought that my original contact with a real publisher would have made some kind of difference-boy, was I wrong!”

So he set about contacting distributors, which was almost another road block in itself. “Distributors, like presses, are not willing to take on any risk themselves. They all want a minimum of ten thousand copies which, of course, I would have to print at my expense. Plus, if they go bankrupt, you are in danger of losing all of those books that you just paid for!”

After some thought, Marjan decided to forego the risks and simply sell their product out of their garage. This required spending more money and more time! They needed to purchase envelopes, postage and labels. Whenever an order came in, it had to be packed up and mailed out again as quickly as possible.

Against All Odds-A Best Seller!

Despite the obstacles, Glavac printed over 9000 books and sold 7000 of that number between 1998 and 2005. That equates to a best seller in Canada and also to over $83,000 in gross revenue for Marjan!

Knowing the risks and labour involved, would Best Selling Author Marjan Glavac self-publish a book again? “Not likely! I’m still going to follow my dreams and continue to publish, but I’ve found a better way to do it that carries no pressure, no risk, little labour and ensures that everything I publish always up-to-date, no matter what!”

E-BOOK AUTHORING

The ‘better way’ that Marjan is referring to is called eBook Authoring. Its fans and its benefits are many. For starters, there is no overhead cost and no inventory of product to keep on hand. Also, as an electronic file, it can be sent as a Portable Document Format (PDF) to any editor in mere seconds, making it easy to shop around. One of its best features, though, is that copies of it can be bought literally 24/7 without you lifting a finger! And when some of the material becomes dated, you, the author, simply update it, re-PDF it and continue selling it: a true living document!

“I love e-books because they are so practical and easy!” exclaims Glavac. “My last e-book was over 100 pages but it took me only 150 hours to complete it including editing, graphics and setting up a website to sell it! And in the last eight months, I’ve made over $6800, some of it while I slept! In fact in my first 24 hours, I sold 123 copies and earned $2 948.31 USD.”

So Easy, and Still Legal! The road to successful e-book authoring is radically different, and much more practical, than that of traditional publishing and self-publishing. It all begins with finding a market. “The first thing that you need to do is make sure that there is a market out there for what you want to sell.” says Glenn Dietzel, of awakentheauthorwithin.com. “Send out surveys to peers, business people, anyone connected to your area of interest and find out exactly what they are looking for.”

Once you know there are people willing to buy what you are offering, you need to get their email addresses. Usually this is done by offering a newsletter or a smaller eBook which the prospects will receive in exchange for their address. Through this process, you build a list of willing, interested people who gladly receive your emailed newsletters about their topic of interest. They will be a great resource to you as you survey them in search of content or even a suitable title for your projected e-book.

Once the book is complete, you know that you already have a large list of potential customers waiting to make a purchase from your website! Price-wise, you can charge $27 to $97 for every product you sell with NO costs to cover. And the more you market the book to your list, the more you will sell!

So do yourself a favor-when you decide that it’s finally time to show the world what YOU have to offer, become an e-book author and let your market make you a success, even while you sleep!

“What If You Could Instant Access To A New York Publisher Without An Agent and Without A Formal Book Proposal?” How? By Following This Simple, Proven System for Authoring Success…

Glenn Dietzel, a former Vice Principal with Two Post-Graduate Degrees, replaced his income and his wife's income with a Proven, Breakthrough System he created. He now teaches his clients how to replicate his proprietary program. Glenn also provides keynotes, seminars, workshops, teleseminars, and bookcamps(TM), and is an international speaker. He consults entrepreneurs and business owners on how to successfully create a digital product and then to build an online business that produces consistent, multiple streams of income. Email: mailto:glenn@AwakenTheAuthorWithin.com http://www.AwakenTheAuthorWithin.com

Article Source: http://EzineArticles.com/?expert=Glenn_Dietzel

 

Would you like to use this article in your e-zine or on your website? Just include the author’s blurb (above) with the article.

 

Do you find articles in Jack of Genre useful and inspiring? Forward it to a friend!

 

 

Creative Culture:

USE ART TO ENHANCE VISUAL IMAGERY IN YOUR WRITING

 

Need to get a jumpstart on sluggish writing? Look at some art online at http://www.yessy.com or some other website. Dig out old pictures. Let color, shadow and beauty inspire your words and descriptions. Sometimes, I even sketch what I’ll write about so I can better communicate the imagery to the reader!

 

In our next issue:

Setting Literary Goals: Get that Book Written!

Freelance Writing

More Useful Links

More Creative Idea

More Members Only Secrets!

 

Link to Humdinger Literary E-zine:

 

<A HREF="http://user98512.websitewizard.com/">Click Here to visit Humdinger Literary E-zine: All types of Writing for all types of Readers</A>

 

Excuses for Not Writing that Book:

 

Excuse #222: Someone lost my computer key for the letter E. Any idea how many words use the letter E?

 

    Pen to Paper~

Thanks for sharing Jack of Genre with us. In each issue, take advantage of our surprisingly simple and successful writing tips, useful links and energizing creativity activities. If you have suggestions for articles or possible submissions for Jack of Genre Newsletter, e-mail me at:

Editor@humdingerzine.com

 

If you get homesick, visit Humdinger's website at: www.humdingerzine.com

 

Chris Goebel

Editor of Humdinger Literary E-zine

Unforgettable Fiction and Poetry

 

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Jack of Genre: Newsletter for Writers

Humdinger Literary E-zine: A place to read, A place to write, A place to learn.

 February 2006

Welcome to Jack of Genre Newsletter, All kinds of writing for all kinds of writers.

Second week of February, 2006

 

This newsletter has TONS of useful information and Members Only Secrets, so save it to return and read later!

 

This month’s Members Only Secret Gifts follow the introduction. Don’t miss this opportunity. As usual, the private gift page provides something for everyone.

 

February’s Jack of Genre is romantic in one way—it keeps giving. When I finished writing this month’s article on literary agents, I wondered, Am I giving away too much at once? Of course, my next thought was that I could never provide too much information for Jack of Genre readers! You’ll appreciate the many links provided for you to learn more about literary agents and run a check on agents you’re considering—unless the article convinces you not to want an agent! On a lighter note, I enjoyed producing the humorous Top 10 Rejection Letters and hope you will consider drafting Top 10 lists for Writers in the future. Hopefully, my “Moments of Brilliance” will become yours when you use the four steps to more powerful writing. Finally, in Creativity Culture, don’t forget to learn the secret place where authors and poets are writing!

 

May you love greatly this month and if not, at least write as if you have!

 

Pen to Paper~

Chris Goebel

 

Editor, Humdinger Literary E-zine

www.humdingerzine.com

Editor@humdingerzine.com

 

Jack of Genre Newsletter provides timely and useful information for writers about writing, simple editing, hot Internet links and outstanding promotional techniques to help you promote yourself and your book.

 

Sensational writing can be in any genre. Broaden your perspective and explore new styles and experimental writing. This will open the floodgates to your creativity and ultimately result in your literary success.

   

  

 

Chris Goebel’s Gifts for Writers (sans cost)

 

For February: Get links to explore Writers Conferences, Literary Agents, Copyediting, and Writer’s Block Fighting Approaches.

 

 

 

Not posted here, you need to subscribe to get passwords.


 

Article: “Literary Agents: What are They and How Do I Get One?” By Chris Goebel. This article includes information, warnings and rich resources for locating the right agent.

 

Writing Contests

 

For Fun: “Top 10 List of Rejection Letters” By Chris Goebel. A humorous list of every writer’s nightmare.

 

Article: “Moments of Brilliance—From Writing to Writer: Four Steps to Stronger Writing” By Chris Goebel. Learn how to explode a moment and uncover your finest writing.

 

Simple Grammar: Its/It’s

 

Creativity Culture: Write in Public

 

Excuses for Not Writing Your Book

 

In Our Next Issue 


  

Article:

Literary Agents: What are They and How Do I Get One?

By Chris Goebel

 

A literary agent represents writers to publishers and editors and helps the writer prepare manuscripts and market them. The positive aspects of the author/literary agent relationship are:

1.      Literary Agents Have More Experience with the Market

2.      Literary Agents Handle the Business Side of Writing

3.      Some Publishers Don’t Want to Deal with Writers

 

Let’s look at these one at a time.

 

Literary Agents Have More Experience with the Market

 

Because it is the nature of an agent’s work, agents know the neighborhood. If agents live in New York, many publishers are right down the street, perhaps in the same building. In many cases, agents and editors are on a first-name basis; they may have lunch together. Agents also learn what editors seek. Many agents specialize in genres and know publishers in those genres. A writer needs an agent who advertises they seek to represent authors in that field. As we do, agents have specific tastes and talents. Don’t try to force an agent to like your work—likely, he or she wouldn’t do a great job representing a book out of their field of interest!

 

Because they know the market well, literary agents help you find editorial services or other needs your manuscript may require. In short, they’re someone in the know on your side.

 

Literary Agents Handle the Business Side of Writing

 

Few writers enjoy the business aspect of writing. A familiar lament of authors today is: Why can’t I just write? What they mean, of course, is that today, writers are expected write the book, proofread and edit it, promote it, sell it, etc. With a literary agent’s experience, writers can do more of what they cherish—write.

 

Literary agents often handle the finances regarding a book. Proceeds pass through the agent to the writer. But so do many of the bills and hassles, such as phone calls, mailing, marketing, meetings, etc. Of course, an agent’s know-how can earn more for you. They understand the legal terminology and industry standards and negotiate contracts effectively for writers. In fact, some authorities recommend acquiring an agent after you’ve been accepted by a publisher on your own! Why? Negotiating contracts. You could pen your way out of certain rights to your work.

 

Some Publishers Don’t Want to Deal with Writers

 

Publishing is competitive and largely capital and market-driven. As a result, editors trust literary agents, who are more familiar with the field, to scout out talent. In a world of mass production, editors rarely weed through poorly prepared manuscripts to discover the pot of gold. In fact, their search might be as fruitful as searching for the end of the rainbow. Agents find the gold and relay it to editors, who are glad to receive a manuscript that requires less time to prepare and less effort to publicize.

 

The Down-Side

 

A literary agent may not be for you if:

 

1.      You Don’t Have a Complete Manuscript

2.      You Don’t Like to Share, Period.

3.      You Intend to Publish Electronically

4.      He/She Charges Fees

5.      You Can’t Secure One

 

You Don’t Have a Complete Manuscript

 

Avoid promoting unfinished works. You probably have no idea how many books have gone unfinished, but I suspect agents and publishers can guess--because they don’t usually consider a work-in-progress!

 

You Don’t Like to Share, Period.

 

Literary Agents require a portion of earnings as their reward. Usually, agents charge 15-20% of a writer’s earnings. Yes, if you write a bestseller, that’s quite a sum. However, how many bestselling novels don’t have agents? If you worked through the list of bestsellers, you’d encounter agented writers whose agents likely helped place the bestseller on the list! You should note that for electronic publishing, the agents’ rates are often less, but so are sales. This leads to the second point . . .

 

You Intend to Publish Electronically

 

If you intend to publish online, why secure an agent? Online sales are easier to promote, though fewer readers purchase electronic books—for now. It would appear wiser to select an online publisher, hire a darn fantastic editor, and publish online without the literary agent’s cut. To let you know briefly, online books may be available in electronic and/or print format. The print format is Print on Demand, or POD. Jack of Genre will discuss POD publishing in future issues.

 

He/She Charges Fees

 

The links below to SWFA and Preditors & Editors warn writers about literary agents who charge fees. They will tell you that most reputable agents do not charge reading fees or any other fees. In some cases, agents have required authors to pay for copies and phone charges. However, most writers don’t pay fees up front. If you consult the aforementioned websites, I’m pretty certain you’ll avoid fee-charging agents.

 

You Can’t Secure One

 

It’s often as difficult to locate a literary agent as it is a publisher. If you purchase agent/publisher books, agents will let you know if they accept simultaneous submissions. This type of submission results from the large number of rejection slips authors receive. To save time, savvy writers may query several (or many!) agents at once. Just because you query, there’s no guarantee you’ll encounter an agent who adores your manuscript. Many famous writers published their books out of their own pockets to avoid the literary agents shuffle—or payout.

 

Before Searching for an Agent, Visit this Website:

 

For years, SFWA has warned writers about literary agents gone wild. Read this page and you won’t be duped!

 

http://www.sfwa.org/beware/agents.html

 

 

Rich Resources: Where to Look for a Literary Agent

 

If you write similarly to another author, complete a Google search for the name of that author plus the words: literary agent. In many cases, the author has thanked his or her agent and you will locate such references online. You may also contact writers directly regarding their agents. Once you discover his/her name, send your submission as soon as it’s ready.

 

To learn more about the Association of Authors’ Representatives (which provides a brief overview and allows you to search for agents):

 

http://www.aar-online.org/mc/page.do

 

Though it hasn’t been updated in a year, Todd Pierce’s website still strikes gold for writers learning about literary agents. Be sure to check the page titled Agents Actively Seeking!

 

http://www.literaryagents.org/

 

Get the book most recommended by Todd Pierce and others for current literary agent listings: Jeff Herman's Guide To Book Publishers, Editors & Literary Agents, 2006: Who they are! What they want! How to win them over! This link takes you directly to Amazon.com to acquire it posthaste:

http://www.amazon.com/gp/product/0977268209/103-8582017-3371018?v=glance&n=283155

 

Before you contact an agent, check Preditors & Editors’ Page on Literary Agents. Search for the agent’s name to find out if anyone has reported negative feedback or fee-charging from the agent.

 

http://www.anotherealm.com/prededitors/pubagent.htm

 

 

Now, you’re one step closer in the decision-making process writers face: Do I want a literary agent? Spend time learning about the strange world of publishing, editors, and agents—you owe it to your future book (and pocketbook).

 

Pen to Paper~

Chris Goebel

Editor, Humdinger Literary E-zine

www.humdingerzine.com

You can subscribe to Chris Goebel’s newsletter, Jack of Genre: Newsletter for Writers, at:

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Suspense Short Stories

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Top 10 List of Rejection Letters

By Chris Goebel

 

10. Dear Supposed Writer . . .

9. Dear Writer, I enjoyed the accurate spelling in your manuscript but little else . . .

8. . . . I accepted something similar last week . . .

7. . . . The enclosed letter states that this was your only copy of the manuscript. However, we never received one . . .

6.  . . . Couldn’t we just say the dog ate it?

5.  Dear Author, I don’t know if you’re aware, but I don’t know of any Christian publishers accepting erotica . . .

4.  Dear So and So, Your manuscript has officially hit the Bottom of the Slush Pile!

3. . . . I suggest you rework the manuscript—in first person instead of third. . .

2. . . . I wanted to like your story, but I was laughing so hard at errors that I couldn’t find the time!

1. Let ‘er rip!

 

 

Pen to Paper~

Chris Goebel

Editor, Humdinger Literary E-zine

www.humdingerzine.com

You can subscribe to Chris Goebel’s newsletter, Jack of Genre: Newsletter for Writers, at:

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DO YOU HAVE A TOP 10 LIST FOR WRITERS THAT YOU’D LIKE TO SEE PUBLISHED IN JACK OF GENRE? IF SO, SEND AN E-MAIL HEADED WRITING TOP 10 TO:

Editor@humdingerzine.com


 

Article:

Moments of Brilliance—From Writing to Writer: Four Steps to Stronger Writing

By Chris Goebel.

 

Writing a successful journal doesn’t make a writer. In school, most students draft journals effectively—they are taught to express their thoughts. What school doesn’t teach as often is how to refine drafts. Here are four useful steps to creating powerful and authentic writing.

 

1.      Write

2.      Find the Heart

3.      Take Five

4.      What in the World Were You Thinking?

 

First: Write

 

Timed writings force writing out of hiding and don’t allow for excuses. Regardless of how you place words on paper, get them there. Only then can you make improvements. This strategy works for fiction or non-fiction and can be adapted for poetry.

 

Second: Find the Heart

 

Now that you’ve something to look at, determine where the heart of your writing piece resides. Most writers waste paragraphs or pages getting to the point. Instead, begin with the exciting part. Jump into the middle of the action. You’ll have time to explain later. While you’re at it, leave a little mystery. Readers don’t need every detail and appreciate unanswered questions once in a while.

 

Third: Take Five

 

Use your five senses to explore the exciting scene you’ve created. Of course, not all senses are necessary or possible in some situations. For example, if you’re describing a car accident, readers should feel, hear, see, and smell what’s happening. It’s possible they may taste something too.

 

Fourth: What in the World Were You Thinking?

 

My point exactly! What were characters thinking when events happened? I’m amazed to read break-up scenes and hear, “Let’s just be friends,” followed by more dialogue. Come on, the character had to think or feel something in relation to the mind-blowing news that they’re no longer the center of their beloved’s universe! Let readers in on juicy, private thoughts.

 

With these four steps, your writing should go farther, deeper, and stronger than before. You’ll discover that writing’s more enjoyable and approachable. Writer’s block drifts away and a mere half-page of dribble expands into a fruitful story that will stay with readers for a long time.

 

Write brilliantly!

 

Pen to Paper~

Chris Goebel

Editor, Humdinger Literary E-zine

www.humdingerzine.com

You can subscribe to Chris Goebel’s newsletter, Jack of Genre: Newsletter for Writers, at:

http://user98512.websitewizard.com/Jack-of-Genre.html

 


 

 

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 Simple Grammar:

Its/It’s

It’s is a contraction for “it is.” The apostrophe replaces a missing letter, the letter “i” of “is.”

Its, however, is a possessive pronoun describing something belonging to it. This makes sense, because the other possessive pronouns don’t have apostrophes either: my, mine, your, yours, his, hers, its, our, theirs.


 

 

Creative Culture:

 

Write in Public

 

Many writers draft in coffee shops, particularly those adjoining bookstores. Perhaps the white noise and anonymity at such a locale inspires us. Of course, no housework or interfering family members nearby and coffee or tea at hand create a welcoming environment.

 

Writers and poets confess they frequently draft in public places on napkins. I certainly have, on many occasions. Though I’ve never written at Starbuck’s (as Julia Quinn does), some of my best poetry was written in various restaurants where I could go ignored for long periods. In some cases, restaurant employees were accommodating and seemed to intuit that I’d appreciate only a drink refill now and then. Can’t write? Maybe it’s time to hit a coffee shop or restaurant!


 

 

In our next issue:

 

Mistakes Writers Make When Seeking Agents

 

Print on Demand Publishing

 

More Useful Links

More Creative Idea

 

More Members Only Secrets!

 

 

 

Link to Humdinger Literary E-zine:

 

<A HREF="http://user98512.websitewizard.com/" >Click Here to visit Humdinger Literary E-zine: All types of Writing for all types of Readers</A>


  

Excuses for Not Writing that Book:

 

Excuse #19: The bedbugs bit.


 

  

Thanks for sharing Jack of Genre with us. In each issue, take advantage of our surprisingly simple and successful writing tips, useful links and energizing creativity activities.

 

 

If you have suggestions for articles or possible submissions for Jack of Genre Newsletter, e-mail me at:

Editor@humdingerzine.com

 

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Chris Goebel

Editor of Humdinger Literary E-zine

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